王 蓓

Arts and Humanities

1. Tibetan 100%
2. Speaker 66%
3. Interrogatives 66%
4. natural speech 50%
5. Phrasing 50%
6. Encoding 50%
7. Downstep 50%
8. Speech Intelligibility 50%
9. Congenital amusia 50%
10. Music Perception 50%
11. Taiwanese 50%
12. Newness 50%
13. Prosodic focus 50%
14. Taiwan Mandarin 50%
15. Pitch range 43%
16. Acoustic Analysis 43%
17. Intonation 36%
18. Yes/no questions 33%
19. Neutral 33%
20. Theoretical perspectives 25%
21. Prosodic boundaries 25%
22. Assignment 25%
23. Pitch accent 25%
24. Metrical structure 25%
25. Prosodic phrasing 25%
26. Taiwan 16%
27. Bi-lingual speakers 16%
28. Group Difference 16%
29. Amusia 16%
30. Fundamental Frequency 16%
31. Control Group 16%
32. Combination tones 16%
33. Putonghua 16%
34. Beijing 16%
35. Prosodic typology 16%
36. Bilingualism 16%
37. Lexical tone 16%
38. Language Evolution 16%
39. Language Contact 16%
40. Choral 12%
41. Four discourses 12%
42. Discourse Context 12%
43. Pitch Register 12%
44. Manifestation 12%
45. Registre 12%
46. Mandarin Chinese 12%
47. Speech errors 12%
48. Speech Prosody 10%
49. Homophone 10%
50. Prosodic Structure 10%