王 蓓

Arts and Humanities

1. Acoustic Analysis 43%
2. Amusia 16%
3. Assignment 25%
4. Beijing 16%
5. Bi-lingual speakers 16%
6. Bilingualism 16%
7. Choral 12%
8. Combination tones 16%
9. Congenital amusia 50%
10. Control Group 16%
11. Discourse Context 12%
12. Downstep 50%
13. Encoding 50%
14. Four discourses 12%
15. Fundamental Frequency 16%
16. Group Difference 16%
17. Homophone 10%
18. Interrogatives 66%
19. Intonation 36%
20. Language Contact 16%
21. Language Evolution 16%
22. Lexical tone 16%
23. Mandarin Chinese 12%
24. Manifestation 12%
25. Metrical structure 25%
26. Music Perception 50%
27. natural speech 50%
28. Neutral 33%
29. Newness 50%
30. Phrasing 50%
31. Pitch accent 25%
32. Pitch range 43%
33. Pitch Register 12%
34. Prosodic boundaries 25%
35. Prosodic focus 50%
36. Prosodic phrasing 25%
37. Prosodic Structure 10%
38. Prosodic typology 16%
39. Putonghua 16%
40. Registre 12%
41. Speaker 66%
42. Speech errors 12%
43. Speech Intelligibility 50%
44. Speech Prosody 10%
45. Taiwan 16%
46. Taiwan Mandarin 50%
47. Taiwanese 50%
48. Theoretical perspectives 25%
49. Tibetan 100%
50. Yes/no questions 33%